![]() This tutorial is for those who are doing performances that use pre-recorded music (like a dance recital) and have equal access to both EOS and Qlab during tech rehearsals, since adjustments in triggering the lighting cues will need to be made in Qlab. The first ever show to run on a 6-week old version of QLab was at Theatre of a Thousand Juliets in January 2005.It seems a fairly common desire to have EOS triggered by Qlab, but sometimes programmers get intimidated. What can you expect from QLab in the future? Among our top priorities is adding a variety of MIDI Cues. Wait during playback for a specific length of time, accurate to thousandths of a second.Simple adjustment of playback flow control.Stop any cue or group of cues in the workspace, including entire cue lists. ![]() Trigger any cue sequence in the workspace, including cue lists.Specify end volumes for each channel independently.Fade any channel of a sound, including crosspoints and inputs.Support for customizable fade curves, including logarithmic and linear curves.Support for absolute or relative fades.Fade single sounds or whole groups of sounds with one fade cue.Customizable buffer size, from 1 to 30 seconds.Easily loop audio clips a finite or infinite number of times.Adjust start and stop times with millisecond accuracy.Support for multiple file formats, including WAV, AIFF, MP3, and more.Support for up to 8 independent audio output devices per workspace.Support for 8 channels in and 8 channels out for each audio file.Independent matrix mixer for every sound cue set levels independently for every sound.Unlimited sound cues can play simultaneously.Easily change any group into a cue list, or vice-versa.Expand groups to view their contents, or collapse them to hide the details.Support for hierarchies of unlimited depth.Build complex composite cues of unlimited size.Edit many cue parameters "inline" with minimal keystrokes.Name and number your cues anything you want.or nothing at all.Pause, play, rewind, and fast-forward any running sequence.Easily seek to arbitrary positions within cue sequences.Intelligent pre-loading of every cue ensures fastest possible response times.Autofollow immediately or after a specific time (accurate to thousandths of a second).In time, we plan to provide cues for everything from video playback to shell scripts." Our first release of QLab focuses on sound design. ![]() Adding new types of cues is as simple as dropping them in your QLab plugins folder. In fact, a cue is just about anything that can be started and stopped. A cue might adjust the volume of a sound, or do nothing but wait for a particular length of time. What is a cue? Well, a cue might play a sound, or start another cue. "The fundamental building block of a QLab workspace is the cue. It is under active development, just like QLab, but you can give it a shot to get a sense of where it's going: QLab Pro includes MIDI Voice Message Cues, MIDI Show Control Cues, and access to sixteen output channels. Qlab Pro (Pre-Release Demo, August 13 2006) - Paid Software Versions (from ) QLab 1.3.5 (May 2008)Įnhance the free version of QLab wth these new upgrades:
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